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The fashion in which the women in the video are dressed was in part inspired by the work of photographer Helmut Newton.

When asked about what references she drew from for the video, Martel cited the ballets of George Balanchine as performed by the New York City Ballet, noting their minimalism, as well as the work of Richard Avedon.

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The song's music video was released in two versions, with one featuring models Emily Ratajkowski, Jessi M'Bengue, and Elle Evans being topless, while the other censored nudity.

The uncut version of the video was at one time removed from You Tube for violating the site's terms of service regarding nudity; it was later restored, but with an age restriction.

The Michigan Daily's Jackson Howard graded it an "A" and praised it as "one of Pharrell's best beats in years ...

by the time the multilayered and carnal harmonies of the chorus come in, the song is completely on fire." Digital Spy's Lewis Corner, who gave the song three out of five stars, was more wary of the single and remarked: "It's a subject that when in the right hands can be smooth and soulful, but in the wrong, crass and chauvinistic ...

Its controversial nature was designed to attract attention with Feldstein saying: "I knew it would get it banned quickly ...

Getting something banned actually helps you." The video features Thicke, T.

Immediately afterwards the song flew up to number 12 on the Hot 100.

Not long thereafter it peaked at number one, becoming Thicke's highest peaking song on the chart in his recording history.

I., and Pharrell casually standing in front of light-pink backdrop as they flirt with models (Emily Ratajkowski, Elle Evans, and Jessi M'Bengue) who pose and dance.

At various points, the hashtag "#THICKE" flashes, whilst towards the end, "ROBIN THICKE HAS A BIG PRIVATE PART" is spelled out in silver balloons.

The song became the subject of a bitter legal dispute with the family of Gaye and Bridgeport Music as to whether the song infringed copyrights to "Got to Give It Up".

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